Archive for the ‘Reviews’ Category

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The Dudes – Blood, Guts, Bruises, Cuts

07/02/2009

Blood, Guts, Bruises, Cuts

With Blood, Guts, Bruises, Cuts, Dan Vacon of The Dudes has released some best rock/pop lyrics ever laid down to pad, completely overthrowing Cheap Trick, Weezer or anyone else claiming eligibility to be a candidate for that list. Whether you are in the perfect relationship, in love with another girl, a miserable bachelor or anything in between, Vacon has managed to write a song for every level of the love game you might find yourself in. The references to the greats of the past like the Blues Brothers and the Beach Boys, as well as the heartwarming track examining the origins of Vacon’s soul (“Ghosts We’re Buried On”), result in the album feeling incredibly familiar and the band feeling like your lifelong friends.

Even though not enough praise could be given to Vacon, the rest of the band is worthy of equal amounts, if not more. Keeping with their self-description of their music: “the album you should have put on for your all night kegger bbq party”, The Dudes as a whole have crafted some seriously beautifully sounding guitar tones and too many catchy guitar hooks to count on the fingers of a single person. When combined with the perfect blend of simple, rhythmic patterns and more intricate stylings by drummer Scott Ross, the music of Blood, Guts, Bruises, Cuts is the perfect accompaniment to Vacon’s tales of lost or unattainable love.

To borrow a phrase form Mike Bell of the Calgary Herald, the guitar solo on “Mr Somebody Else” is one “that would slay Rivers Cuomo” and is placed as the outro of the best song on the album and one on par with the pop gems from previous Dude’s release Brain Heart Guitar. Addressed to the lucky boyfriend of a girl who is “that unreal”, “Mr Somebody Else” is Vacon’s attempt at replacing his own girlfriend with a girl who gives “loving that I bet is better than I get”. Backed by some of the catchiest riffs on the album, perfectly placed background vocals and of course, the aforementioned solo, “Mr Somebody Else” is almost the unrivaled contender for highlight of the album.

While there are absolutely no bad songs on the album (not even close), “Connected” is the only other one that attempts to rival “Mr Somebody Else”. Coming off as an autobiographical song of sorts, “Connected” could be the anthem for any middle aged musician struggling with the issues surrounding aging. Together with the catchy as hell guitar riffs and sped-up outro to keep things interesting, the many parts of “Connected” come together to create a pretty rippin’ song.

Unfortunately, like many of the greatest bands, The Dudes are placed in the bittersweet situation of having to surpass the quality of their landmark album. In the case of the Dudes, the fact that their last album, Brain Heart Guitar, has been doused so much acclaim from critics, colleagues and friends alike combined with the simple truth that it has become a piece of pure nostalgia in my mind has propelled that albums to a position unattainable by any subsequent releases. However good Blood, Guts, Bruises, Cuts may be (and damn, is it ever good), it can never surpass Brain Heart Guitar in my eyes simply because of the memories I have that are associated with that album and the thirteen perfect rock/pop songs that occupy it.

A tragedy really, because the fourteen beautiful tracks that are Blood, Guts, Bruises, Cuts deserve to be held in the same regard as those that preceded them. Similarly constructed, equally as catchy and as much fun and careless as they are thought provoking and inspiring, the songs of Blood, Guts, Bruises, Cuts are written straight from the heart and succeed in their attempt to jostle yours from its slumber.

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Review Updates

06/05/2009

A large batch of my In Your Speakers reviews have been published recently. Check em out:

OK BearJeremy Engik – OK Bear

RelapseEminem – Relapse

FasterDept of Energy – Faster

Tragic Boogie

The Life and Times – Tragic Boogie

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The Decemberists – The Hazards of Love

03/27/2009

hazards-of-love

Got my signed Hazards LP in the mail this morning. My In Your Speakers editor also decided to post my review of the album today, give it a read.

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From Monument to Masses – On Little Known Frequencies

03/10/2009

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Yet another review posted at In Your Speakers. Any post-rock fans should not miss From Monument to Masses’ latest album On Little Known Frequencies.

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Point Juncture, WA – Heart to Elk

03/04/2009

heart-to-elk

Another one of my reviews has been published at In Your Speakers. This time, it is Point Juncture, WA’s Heart to Elk. Pretty damn good album.

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Clem Snide – Hungry Bird

03/02/2009

hungry-bird

My review of Clem Snide’s Hungry Bird has been published at In Your Speakers. Check it out.

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The Appleseed Cast – Sagarmatha

02/20/2009

sagarmatha

My review of The Appleseed Cast’s latest album, Sagarmatha is now up on In Your Speakers.

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Dan Auerbach – Keep It Hid

02/16/2009

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Check out my review of Dan Auerbach’s Keep It Hid over at In Your Speakers.

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Nickel Eye – The Time of the Assassins

01/28/2009

time-of-the-assassins

I had no hopes for this album upon hearing Nikolai Fraiture’s unimaginative name for his solo debut persona. Nickel Eye, really? Not to my surprise, I found the album to be pretty much equally unimaginative and for the most part extremely bland. The album kicks off with a grooving bass line and subsequent drum beat and simple guitar strumming that gives the impression that what follows will be an exciting and head bobable record. All hope is lost upon hearing Nikolai’s monotonous drone of a singing voice. An image of him half asleep, effortlessly holding the mic up to his mouth with one hand and balancing his head on the other perfectly accompanies the music in my mind. According to Nickel Eye’s myspace page the album is supposed to be influenced by Neil Young, among others. While Nikolai has certainly inherited the legend’s nasally voice, it lacks the emotion and passion that is apparent in Neil’s singing. “Fountain Avenue” is particularly painful.

Aside from a few catchy guitar and bass hooks here and there, the entire album sounds effortless. It seems that Nikolai took a bunch of demos of Strokes’ songs that didn’t make it on 2006’s mediocre First Impressions of Earth, assembled a band to flesh out the songs a little more, wrote some lyrics and recorded it all in the same day. Uninspired. Repetitive. Painful.

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[Rykodisc; 2009]
http://www.myspace.com/officialnickeleye

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Bon Iver – Blood Bank EP

01/20/2009

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To me, Justin Vernon’s music as Bon Iver sounds like if TV on the Radio did an acoustic album, or if Stephen McBean (of Black Moutain) and Ben Bridwell (of Band of Horses) came together to record their vocals over Sam Bean’s (Iron & Wine) acoustic strumming. At least this is what I thought one year ago when I first heard the terrific For Emma, Forever Ago. On the Blood Bank EP, Bon Iver is heard slightly more experimental and exploring new instrumentation.

Opening tune and title track “Blood Bank” is without a doubt, both lyrically and musically, the best on the EP; “That secret that you knew but don’t know how to tell / It fucks with your honor and it teases your head”. With a single guitar and minimalist drum beat, “Blood Bank” begins the record on a high note that won’t again be reached over the course of the EP. In fact, if one were to graph the quality of this record against time, it would be a steady down slope until it crashes at the bottom with the annoyingly horrendous “Woods”. “I’m up in the woods, I’m down on my mind” sings Vernon in an auto-tune voice that would fit more appropriately on 808s & Heartbreak. Yes Justin, we know you were in the woods, no need to repeat the same line a dozen times – maybe you should try to find a new place for inspiration. “Beach Baby” has all of the ingredients that would typically make a good Bon Iver song but somehow doesn’t deliver. Third track “Babys” borderlines on annoying with its repetitive instrumentation and long intro.

The Blood Bank EP is mostly a disappointment after For Emma; the only shred of saving grace being the beautiful title track. Here’s hoping for something better on the sophomore release.

5[Jagjaguwar; 2009]
http://www.boniver.org/